Alba was born too soon. Alone, unable to fulfill her role, she chose to observe instead.
In silence, she uncovered a new meaning — and left behind a trace for those who would come after.
A brief life, turned into legend.

In June 2024, Medusa became the first piece from the project to be performed live.
The arrangement for concert band was created by Vicente Reche Ruiz and performed by the Banda de la Societat Musical La Unió de Tres Forques.
Juan Ramos played the electronic section during the concert.

She was a warrior, but she no longer fights.
Lost in nature, with no battles to win or maps to follow, she discovers that true transformation begins within.
Through silence, she finds her voice.
A fable about breaking away from inherited mistakes and embracing calm as a form of wisdom.

While the other crickets sang to be heard, he simply played.
He wasn’t trying to attract anyone or achieve anything —he just let the music flow.
A fable about art as pure expression: a way of being in the world with no goal other than to exist.
A quiet, nighttime dance that asks for nothing —and yet, changes everything.

One of the most enigmatic pieces in the garden.
It speaks of an intangible presence that connects everything: dreams, memories, meaning.
Some feel her as a silent guide; others, as a way of understanding the unseen.
A figure that cannot be explained, only sensed. That never imposes, yet transforms.
A song about inner alignment —and that quiet feeling that everything makes sense… just when we need it most.

There was a time when magic lived openly in the garden.
Then came the machines —and with them, forgetfulness.
A sonic fable about what endures: the whispers of the old, hidden among wires and steel.
Not everything cold is empty. Sometimes, even the gear remembers.

Bruno is a beetle. He walks slowly, watches the garden, and wonders why everyone’s in a hurry.
He doesn’t aim to shine or arrive first —he just wants to understand what lies between the steps.
With his quiet pace, Bruno reminds us that beauty isn’t always in the spotlight, but often on the edges.
A fable about slowness as a form of wisdom.

Samuel is a snail. He lives deep in the garden, where time stretches.
One day, he finds a forgotten top hat —and with it, an invitation to see the world differently.
A sonic fable about curiosity, identity, and finding your place in the vast unknown.

A Emily Brontë poem set adrift in sound.
The stormy sea becomes a cradle, as sleep and waves merge into a single pulse.
Synthesized textures shimmer beneath the verses — a modular lullaby whispered through wires

The second album of the project —a continuation and deepening of the path begun with Within My Garden, Rides a Bird.
Poems by Emily Brontë, Charlotte Brontë, Emily Dickinson, and Mary Ann Evans (George Eliot) are set to music, merging past voices with modern synthesis and orchestral emotion.
String arrangements play a central role, weaving with acoustic and electric guitars in a soundscape that shifts between the intimate and the epic.

The first official album of the project —a symbolic entry point into the Garden’s universe.
Lyrics drawn from Emily Brontë, Emily Dickinson, and Mary Shelley create an atemporal dialogue where romanticism, melody, and intimacy coexist with synthesis and orchestral form.
A meeting place between past and future, guided by strings and machines.